Irish Button Accordion: From Press and Draw and Back Again
Identifieur interne : 000455 ( Main/Exploration ); précédent : 000454; suivant : 000456Irish Button Accordion: From Press and Draw and Back Again
Auteurs : Graeme Smith [Australie]Source :
- World of music : (Wilhelmshaven) [ 0043-8774 ] ; 2008.
Descripteurs français
- Pascal (Inist)
- Wicri :
- topic : Histoire, Instrument de musique, Innovation.
English descriptors
- KwdEn :
Abstract
Irish traditional dance music players have used diatonic button accordions to play traditional dance music since the start of the twentieth century, and have developed styles with distinct social connotations. Early players used single-row melodeons, and later, two-row instruments, in ways strongly influenced by single-row playing. A new two-row style popularized by Paddy O'Brien in the 1950s introduced musical innovations which were enthusiastically embraced by players, but criticised by commentators. In the 1970s, a stylistic reversal which developed an elaborated version of pre-war playing became popular as an explicit revision of the 1950s post-war style and its social meanings. Leading players such as Jackie Daly and Sharon Shannon have shifted the accordion away from the cultural-nationalist connotations in which it was embedded.
Affiliations:
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Le document en format XML
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<term>Diatonic accordion</term>
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<term>Innovation</term>
<term>Ireland</term>
<term>Musical instrument</term>
<term>Style</term>
<term>Western Europe</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>Accordéon</term>
<term>Accordéon diatonique</term>
<term>Histoire</term>
<term>Instrument de musique</term>
<term>Irlande</term>
<term>Europe occidentale</term>
<term>Innovation</term>
<term>Style</term>
<term>Contexte social</term>
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<front><div type="abstract" xml:lang="en">Irish traditional dance music players have used diatonic button accordions to play traditional dance music since the start of the twentieth century, and have developed styles with distinct social connotations. Early players used single-row melodeons, and later, two-row instruments, in ways strongly influenced by single-row playing. A new two-row style popularized by Paddy O'Brien in the 1950s introduced musical innovations which were enthusiastically embraced by players, but criticised by commentators. In the 1970s, a stylistic reversal which developed an elaborated version of pre-war playing became popular as an explicit revision of the 1950s post-war style and its social meanings. Leading players such as Jackie Daly and Sharon Shannon have shifted the accordion away from the cultural-nationalist connotations in which it was embedded.</div>
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